There's also an interesting feel to the set, not as basic as demos, but not heavily produced either. Bass, drums, guitars, keys, it's all there but sounding homespun as well. It lets you hear that these could go in any number of directions in the pop/rock/roots field. Also, we're getting a glimpse at the solid foundation and strong frame of a good song, before all the shiny bits are added.
Those envious songwriters will no doubt scream in frustration at their idle keyboards when they hear lines like "even Jesus with a GPS/could only make an education guess," from Mirror Mirror. The dark, Rubber Soul-era sound on 25 Feet of Snow is a lesson in how to borrow and turn it into something new, and Canadian too. Stay In Heaven flat-out rocks, one of several here where Ballantyne plays all the instruments himself, right down to the pseudo-saxes, and it's immediately followed by My Excellent Boy, a tender tribute that comes from the Nillson/Sexsmith school of sentiment. Not a bad year's worth of work.