Richly produced at Dan Auerbach's Music City studio, with all his bells and tricks and thickness, Shaw has the big and interesting voice to pull off such lushness. She falls somewhere between early '60's girl group and James Bond theme-singer, natural, compelling but not a show-off or vocal gymnast. She knows how to put a lot of emotion and mystery into the tunes. Auerbach adds all the drama, digging into a ton of production tricks and little treats from his grab-bag of '60's strategies.
Saturday, June 23, 2018
Friday, June 22, 2018
A fascinating and very different documentary on Hynde, which instead of the usual talking heads and archival footage, has the camera following her around from city to city, doing what she does. A lot of it involves being alone, something she is not only used to, but has come to realize she prefers. It was also the name of her last album with The Pretenders, so it fits beautifully. Hynde of course has always been an interesting character, and she still is, maybe even more so, with age and wisdom.
Hynde shows us the upside of being solo personally, from being able to spend months on her new interest, painting, to all the quiet time she finds to stroll gardens in London or stores in Paris, shopping for clothes. She goes back to her hometown, Akron, and talks about the her childhood, and the loneliness of middle America. There are laugh moments too, clowning around with her pal Sandra Bernhard on her radio show, and joking with the documentary crew, pretty much a running conversation through the whole 90 minutes. There were probably dozens of hours of footage that got edited, and I have the feeling it was all interesting. I don't think she can have a dull conversation. In the end, you're left with a much better understanding of her, definitely more normal than your usual celebrity. She's very down to earth, and pretty much likes what she likes, and does what she does, and would rather be left alone. Sounds pretty normal.
Thursday, June 21, 2018
Fun! Pat LePoidevin's new one is a concept sci-fi trip to outer space and the future, as seen through the eyes of two explorer kids. Captain Myles and Lucy are two members of the Society of Planet Research (SPR), a group of future kids who build a space ship out of discarded parts from junkyards, and go on an adventure. It's a deceptive little adventure that seems childlike on the surface but is all about relationships, both childhood and adult, responsibility (adults kind of fail at that one), where we're headed down the road, and all this crazy technology we're getting so used to and dependent on.
That's just my reading of it, LePoidevin probably has a few other tricks up his sleeve embedded in the story and the game. That's right, the game, because there's a video game too, over at www.patlepoidevin.com. I'm no gamer, so I'll stick with the tunes, which are pretty easy-going and easy to follow, which is preferable in a concept album. It's good to have a story that's understandable. Musically, it's your basic indie with a twangy guitar doing much of the talking, along with LePoidevin's plaintive telling of the tale.
It's a tour too, as LePoidevin's taking the rocket ship on the road. He's waltzing through the Maritimes to start, with shows in the following:
Friday, June 22 - Governors' Pub, Sydney, N.S.
Sun., June 24 - Buddha Bear Cafe/Holy Whale Brewery, Alma N.B, 3 PM
Sun., June 24 - Baba's Lounge, Charlottetown, 8 PM
Friday, June 29 - Broad Cove Hall, South Shore, N.S.
Sat., June 30 - The Seahorse, Halifax
Thurs, July 5 - The Commune New Glasgow, N.S.
Friday, July 6 - The Capitol, FrederictonSat., July 7 - Red Herring, St. Andrews, N.B.
Monday, June 18, 2018
It's been a long time between albums for the MacNeil clan. The last was a Christmas album in 2013, and before that, not counting collaborative releases or live shows, it was All At Once in 2005 when the group last recorded a proper set of new stuff. Not that they haven't been busy of course; touring throughout Canada, the U.S. and Europe has seen them earn their nickname of Canada's music ambassadors, considered one of the top groups in the Celtic scene. They must have been itching to do it; the new album has kicked off a string of live dates the last few months, partying it up in Toronto this week. Having caught one lately, I can report they're kicking up a storm.
Sunday, June 17, 2018
Gritty and funky, The Lucky Losers come from the Bay Area of California, and are the duo of Cathy Lemons and Phil Berkowitz. Most of their songs are built around their strong vocals, either duet or solo, and a devotion to the '60's/'70's Stax/Volt/Hi Records sound. They do that exceptionally well, including a vein of the psychedelic blues that came along at that point, and lots of modern, electric grooves.
Saturday, June 16, 2018
Given Harris's iconic status, it's surprising to realize she had her share of flops too, and fell out of favour in the country world for a long stretch. Now she's Americana, the ultimate roots artist, but back in 1985 she was still considered a Nashville star. That is, until this concept album. She called it a country opera, and it marked her first release after her personal and professional split with producer Brian Ahern. Instead it was made with new partner Paul Kennerley, the songwriter who bequeathed her the hit Born To Run (not the Springsteen one). For the first time since her obscure 1969 folk debut, Harris would write all the songs, quite a departure for an artist who had made her name with striking cover versions, known as the singer's singer.
Harris had a story she wanted to get out, a personal one. Sally Rose was based on herself, and this was a re-imagination of her time with the legendary Gram Parsons. Harris had sung harmonies at his side for a year, and had made it her career goal to continue his music after he died. The story told of Sally Rose wasn't true-to-life, and a lot more than just the names were changed. It had been mythologized, but the point was clear, Sally loved The Singer, as Emmylou had loved Gram.
Country radio had loved Emmylou, but didn't for the singles from this album. They were perhaps a little too involved in the plot, not obvious and easy to digest, and even too smart. That translated into diminished album sales and a lack of tour buzz too. Wouldn't you know it, Harris had made the most substantial album of her career, and also just torpedoed it. She went back to covers soon after, and spent a decade bouncing around stylistically before teaming up with Daniel Lanois for Wrecking Ball, attracting a new audience that became known as Americana, and once again feeling confident in her writing skills.
What everybody realized now is that not only could she write, she was fantastic, and this album was a gem. The story of Sally Rose's climb to fame while The Singer declines is actually more like A Star Is Born rather than the Gram-Emmylou tale, but no matter, the individual songs are tight and the tale fun to follow: "You better move fast 'cause tickets are tight/if you wanna see Sally Rose pick it tonight."
Friday, June 15, 2018
MUSIC REVIEW OF THE DAY: ERIC CLAPTON - LIFE IN 12 BARS (Blu-ray or DVD), LIFE IN 12 BARS (Soundtrack)
While you think you may know everything about Clapton, you'll still find lots to learn in this documentary, made with his blessing and participation, but not his interference. Director Lili Zanuck was given access to all the footage and photos he'd been storing up, and carte blanche for a story line. Clapton doesn't really have much to hide, as he told all, quite painfully, in his autobiography several years back, so the all the booze, drugs, infidelity, obsession and heartache was already on the table. What Zanuck was able to to do was invite more people to give their observations. They don't pull punches, especially exes. A real find was one of his oldest friends, an early bandmate from his first groups, The Roosters, one Ben Palmer, who stayed around as Cream's road manager, and then a friend. He's able to bring us lots of insight into what drove Clapton. Also Clapton's aunt, who witnessed some of the terrible hurt his mother caused in his life, was able to show how that trauma affected him through his adult life. In the end though, it's Clapton himself who has the best perspective, able to sift through all the lies and failings in his life, the wasted years as an addict and alcoholic, and his inability to form a genuine relationship, until conquering all those demons after the death of his son, Conor. The film really ends with the release of the cathartic Tears In Heaven, except for some well-earned accolades and his significant charity work, but that's okay, we get the point that he got his act together and the drama largely ended.