I'm usually not that keen on these projects where they mess with
the originals, adding elements to the familiar hits. It kinda seems like
sacrilege, no? Or another precocious idea to milk more money out the
cash cow for record companies. This one intrigues me however, as The
Beach Boys music yields lots of opportunities to had some interesting
orchestral parts, already being quite advanced in structure, arrangement
and performance, and no doubt Brian Wilson would have loved to have a
symphony kicking around when he was doing some of these productions. He
was also on board with allowing the project to happen, so why not just
approach it with open ears?
The set kicks off
with an opening symphony piece called California Suite, just to
introduce the orchestra. That moves right into the famous opening of
California Girls, and the orchestra backs off, as there are certain bits
that are so iconic, and in this case perfect, you don't want to mess
with them. That's followed by Wouldn't It Be Nice, and I was a bit
surprised at how little the orchestra was used on these cuts, given
their dynamic productions. It's almost as if the arrangers didn't feel
there was much of a place for the symphony. Surprisingly, it's an old
rock 'n' roll number, Fun Fun Fun, that is the first to truly benefit
from the added orchestra, as we get a bit of a surprise hearing the new
parts on such a familiar cut. Sloop John B is another that gets an
interesting opening, and it becomes apparent that this is the best place
for the orchestra to get involved, adding new starts, endings and links
to the pieces, already so well produced. There are a few stand-outs
certainly. Bruce Johnston's underrated Disney Girls from 1971's Surf's
Up album gets a full orchestra through the whole song, and it really
does lift the song to a new level. As for Kokomo, well, it's always
going to be a love-it-or-hate-it number, and no amount of flutes and
tympanis can change that.
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