It must be time for some more Bowie releases, it's been what, a
whole month since the release of a huge box set of 80's material. So now
we get not one, but two chunks of previously-unreleased live material.
The big one is the first-ever release of a beloved later show in his
career, the 2000 concert at Glastonbury Festival in England. It was the
first time Bowie had played the festival since 1971, when it was a
little hippy thing, and so was he. Now he was closing the show in front
of 250,000 or so.
Bowie had spent the
'90's in partial denial of his past. He famously announced he was
"retiring" his hits after the Sound & Vision tour of 1990, and
running off with Tin Machine. That noisy group only lasted a couple of
albums and tours, and throughout the rest of the decade, Bowie did
several lesser-loved albums and stuck somewhat to his pledge, leaning
heavily on later albums with only a handful of old favourites being
trotted out. But the Glastonbury show felt different; he'd be back home,
in front of a huge crowd that was there for the spectacle. Bowie decided it
was time to embrace the fame again.
He hadn't
toured in a year, so a couple of warm-up shows were done in NYC before
hitting the festival. The band was still a little ragged, but for Bowie,
this turned out to be fun. He turned it on for the huge crowd, hamming
the vocals in places, smiling lots and enjoying the effects of these
great and well-loved songs. After a relative calm opening number, his
Station To Station song Wild Is The Wind, the hits came fast and often.
China Girl, Changes, Ashes To Ashes and Rebel Rebel all hit the spot,
and Absolute Beginners was a great addition, one of his best soundtrack
songs from the '80's. When he did dip into later albums, he chose well,
Little Wonder and Hallo Spaceboy two of his better, crowd-pleasing
songs. Station To Station was perhaps the highlight, the power of that
cut perfectly suited to a massive outdoor show. His version of Under
Pressure, with bassist Gail Ann Dorsey taking Freddie Mercury's part,
was a graceful close to the main set, and the encores of Ziggy Stardust,
"Heroes" and Let's Dance took it over the top. In a classic Bowie move,
he left the crowd with a reminder he was still making strong music, the
intense I'm Afraid Of Americans, which seems quite a prescient
statement these days.
I also got a kick out of
seeing Canadian singer-songwriter Emm Gryner in the band, doing backing
vocals and keyboard parts, part of her two-years in his employ. The set
comes as either a 3-LP set or a two CD/DVD combo, thanks to the BBC
being there to capture the show, and it's great to see the joy on
Bowie's face during the show.
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