In the words of her Christmas track found on this boxed set,
December will be magic again, if you're lucky enough to find this under
the tree. The companion to Part 1, released and reviewed earlier this
month, Part 2 features the later Kate Bush albums, her recent live
collection, and a further four CDs that collect 12-inch remixes,
assorted b-sides and bonus cuts, and cover versions for charities and
the like. For those who've been buying all her albums over the years,
those are the big finds in this box, but I'm betting there are lots who
have let their interest slide, especially after her long career break
from 1993 to 2005. For them, there are more revelations, including full
fantastic albums.
Box 2 starts where Bush
reappeared, 2005 and the album Aerial. This quirky, playful and
sometimes goofy set was split into two discs, the first a series of
wildly imaginative tracks, the second devoted to a story about bird
songs and nature. As a much-awaited return, it was probably too out
there for North America, but proved a smash in England, with the cut
King Of The Mountain a hit single. Eccentricity goes over better in her
homeland, while here people were scratching their heads over a song
about the washing machine (Mrs. Bartolozzi), imitating bird calls with
laughter, and then there's Pi, where she sings it to a few dozen decimal
places. Once you get used to that, the album is a revelation of beauty
and intricate composition, from bare piano to orchestral to flamenco to
progressive rock. It's definitely one you need to go back to again and
again to capture the whole journey.
Next came
another break, not as long, but still six years. However, then came
whole mountain of work, at least in her terms, two full albums in 2011.
The first was another intriguing surprise, called Director's Cut. Bush
chose to revisit songs from two of her old albums, The Red Shoes and
Sensual World, to strip them back, add brand-new vocals and in some
cases completely redo them. One of the main reasons was because she had
initially been refused permission to use James Joyce text in the song
Sensual World, but had since been allowed, so it was redone as Flower Of
The Mountain. As well, her voice had lowered in the years since, so she
changed keys, added new parts and players, and went for it. In most
cases, the songs retain and even improve on the originals, with only
Rubberband Girl failing to match the bouncy original. Why do it? Why
not?
Sadly, the other album from that year, 50
Words For Snow, was a letdown. Once again fixing on a story, and again
on nature, this time Bush's long meditations on winter were more dull
than intriguing, despite her usual rich production and instrumentation. A
lengthy duet with Elton John just plods along, while the title track is
an odd piece featuring actor Stephen Fry reading the fifty words Bush
made up for snow (stellatundra?) while she goads him on from the side.
The
biggest surprise of her career came in 2014, when Bush returned to the
stage for her first full shows in 35 years. Instead of touring, she set
up in one place, the Hammersmith Apollo in London, and played 22 nights.
A huge triumph, the show was released in full two years later, a
brilliant collection. Bush didn't do any songs from before Hounds Of
Love, but performed most of that landmark set. The show was split in
three parts, opening with a set of favourites (Running Up That Hill,
King Of The Mountain, Hounds Of Love). Then came the entire second half
of the Hounds album, the Ninth Wave suite, featuring dialogue and
staging. The show was filmed, but hasn't appeared yet, still it is a
remarkable audio experience. The third act featured the complete second
disc of Aerial, called A Sky Of Honey, that one with the bird
calls/laughs, and again it's a beautiful, dynamic performance, wrapped
up with an encore of Cloudbusting.
That's
it for her albums, but with all the stray cuts in her career, it took
four CD's to wrap things up. The remixes disc doesn't include the many
variations, but certainly has interesting ones, including the very
different Orgonon Mix of Cloudbusting. There are two discs of B-sides,
and several of these are among her very best tracks, including the
beautiful Under The Ivy, the clever single Experiment IV and the very
early rocker Passing Through Air, from 1975. The final disc, called In
Other's Words, has her doing covers such as Elton John's Rocket Man and
Candle In The Wind, Donovan's Lord Of The Reedy River, and most
surprisingly, Sexual Healing. A little more detail on where these all
appeared would have been nice, as there are no liner notes for the box,
but Google works too.
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