Tuesday, May 11, 2021

MUSIC REVIEW OF THE DAY: VAN MORRISON - LATEST RECORD PROJECT Volume 1


Bit of a tough one, this. Van looked pretty selfish and cranky complaining about Covid restrictions keeping him from touring. Of course, he's always been a curmudgeon at best, and his self-focus has crept into his lyrics over the years ("copycats ripped off my words..."). A psychiatrist could have a field day analyzing the level of his paranoia here, but he's already told us what he thinks of that industry in track 3, "Psychoanalyst's Ball," where he says "Keep coming back every week/For the rest of your life/Will it ever make any difference at all?"

For a good deal of the three-album set, it's kind of like getting trapped by your co-worker's spouse at the office picnic, while they rail on about what's wrong with people today. The media, Facebook, greedy people, those in power, and people bitching but doing nothing. Funny though, he doesn't go deep in any of the songs, mostly he just puts the complaint out there and doesn't offer up any further arguments or ideas. And by printing the lyrics in a great big book, it's like he's inviting people to criticize and get upset. I sense a little Irish mischievousness at work.

In an album with titles such as "The Long Con" and "Big Lie," the real con here may be coming from Morrison himself. After all, it's not like he's spouting off on songs about anti-fax conspiracies. There's actually so little substance here, it's hard to disagree with much that he's saying. Who hasn't complained about Facebook? Who hasn't uttered the phrase, "Stop bitching, do something?" Courting controversy may simply be a way to attract attention and boost sales. The key could be in the title cut, where he asked "Have you got my latest record project? Not something from so long ago." Are you really listening or do you just love "Moondance?"

When you strip away the controversy-courting song titles, there's a good album in here, probably not one worth three albums of material, but still a good one. The band is tight, the songs groove, and Morrison for the most part remains in fine form vocally. It's certainly going to be a flashpoint album in his career in years to come, but I don't think you can write it off as the ramblings of an old crank.

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