Oh, what to do if you're Cape Breton's Mullins, and feel
comfortable in so many songwriting styles? Pop, folk, country, a little
hip-hop, heck, even a children's choir shows up in his music. The
solution is this double album collection, loosely separated into one pop
set (Onward) and the other (Upward) more on the folk/country side, although
there's plenty of blending back and forth.
The
pop set has a more beats, bells and whistles, for the most part supplied
by Halifax producer Jason Mingo (Meaghan Smith). This sounds completely
in character for Mullins, with his smooth, higher-pitched vocals and
lots of great harmonies. Songs such as For Tonight have excellent
melodies, and lots of upbeat warmth. Lightning Strikes moves into some
R'n'B, and grooves along enough to hit the dance floor. And the
collaboration king, Classified himself, takes the producer chair for Free Falling On A Feeling. It's one of those hybrid
country/hip-hop tracks, complete with Duane "D.O." Gibson's bridge raps, but still with room for harmonica bites.
So
it's already a programmer's nightmare, but who cares except them? It
all sounds great no matter what genre you try to stuff it into. Free
Falling On A Feeling alone would sit well on pop, country and urban
playlists. And that's just the first half. Over on the Upward side, you
get Mullins' more story-telling material, and a whole different kind of
production. This is roots-oriented, starting out with the fiddle-driven
cut Love Will Conquer All, but with a rock 'n' roll organ and rhythm, a
barn-burner. You get more life snapshots here, like Howlin' At The Moon,
a true tale of young Mr. Mullins and his crew painting a Sydney train
bridge one wild night (rotten kids). And more kids, these ones good,
show up on Where The Rivers Meet The Ocean, this time the school choir
from Tatamagouche, who help explain that's the translation of their
town's name. That one comes out as a gorgeous folk anthem.
Awesome congrats Keith ππ΅πΆπΌπΆπ΅πΌ
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