The Hamilton group was the missing link between prog and
punk, featuring a sound previously unknown. With a unique blend of
glam, Detroit, art rock, New York and beyond, the band really had no
scene in which to belong, eventually finding at least temporary shelter
in Toronto's late 70's punk scene. Breaking up soon after, leader Edgar
Breau laid down his electric and went into acoustic guitar music for
decades. But the belated interest in Simply Saucer (Uncut magazine named
one of the Cyborgs discs in its reissues of the year) led him to reform
the band, and he now alternates between solo and Saucer projects.
This nifty EP, on fetching splatter vinyl, is an
interesting project. The band has a certain influence on underground
Detroit, and the feeling is mutual, with Iggy, MC5 and Mitch Ryder among
Breau's biggest influences. The was group was asked by some pro fans
to come record in the city in 2011, and happily accepted. What they did
was find some classic Saucer that hadn't been properly recorded
in-studio, and set up shop for a weekend to get off-the-floor flaming
versions.
Low Profile is a very Stooge-like number, going back
to 1976. Dance The Mutation, with its garage-band organ, has only been
heard on vintage live recordings before. Baby Nova was going to be on
the group's proposed first album, but money woes meant it never got
recorded. It's doubtful Breau's insane guitar on this take could have
been imaginable back then, so that's a bonus.
Side two features I Take It, a more mellow, haunting
ballad at first, which explodes on the chorus, and definitely in The
Kinds mode, Breau showing the softer voice that makes his solo work
pleasing. It wraps up with Reckless Agitation, a number salvaged from
their Toronto club days, a proper punk number which turns into a
rave-up. Indie/underground fans will buy this for its fantastic cover
and cool vinyl, and discover a blast over five cuts.
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