A stunning album from Montreal's Officer, who makes the brilliant sound so casual. This is subtle blues/jazz/roots, his vocals so easy-going and comfortable you're lulled into a pleasant listening spot. Then, just when you're taking the music for granted, he blows you away with an awesome, short guitar line or a raw riff or two on his violin.
Produced by the drummer here Charlie Drayton, who Keith Richards uses for his solo work, this is multi-genre, all-class. There's a bit of country-shuffle (Dream Of You And Me), some gospel, and the lovely, indescribable sound of Driving Back From Three Rivers, a late-night drive at a slow pace, Officer caressing each low note. Where Has This Come From reminds me a bit of J.J. Cale, a little more uptempo, but that same ease, at least until he knocks off a twangy solo. Meanwhile Drayton is equally subtle, lots of snare, stick work on the rims, no big booms, and bassist Zev Katz, the only other player here, is tasty but never overpowering, filling that crucial bottom.
As much as I love the fact the songs travel so easily among the various styles, there's a particular magic Officer brings to the more blues-based numbers here. He's Got It All is one of the most spectacular new blues numbers I've heard in years, very simple in structure, but sung and played with so much feel. His guitar work and tone is almost shocking, sure to light up the face of any fan. I can't throw enough accolades at this collection.
Produced by the drummer here Charlie Drayton, who Keith Richards uses for his solo work, this is multi-genre, all-class. There's a bit of country-shuffle (Dream Of You And Me), some gospel, and the lovely, indescribable sound of Driving Back From Three Rivers, a late-night drive at a slow pace, Officer caressing each low note. Where Has This Come From reminds me a bit of J.J. Cale, a little more uptempo, but that same ease, at least until he knocks off a twangy solo. Meanwhile Drayton is equally subtle, lots of snare, stick work on the rims, no big booms, and bassist Zev Katz, the only other player here, is tasty but never overpowering, filling that crucial bottom.
As much as I love the fact the songs travel so easily among the various styles, there's a particular magic Officer brings to the more blues-based numbers here. He's Got It All is one of the most spectacular new blues numbers I've heard in years, very simple in structure, but sung and played with so much feel. His guitar work and tone is almost shocking, sure to light up the face of any fan. I can't throw enough accolades at this collection.
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