It's a weird world we're in, where the Dixie Chick is trying to
sound like Sheryl Crow, and Crow's trying to go country on her new
album. While Crow's doing it seemingly for commercial reasons (see
Jewel, and that guy from Hootie), Maines is showing her independence
from the Nashville ideal of a country performer. Of course, she pretty
much did that with one nasty sentence about George W. Bush. This album
won't be the one to mend those fences.
Maines produced the album with Ben Harper, who plays throughout,
sings a duet with her on one of his cuts (Trained) and co-wrote another
couple with her. But he mostly takes a back seat, adding slide guitar
touches. It's her baby, and it's an odd collection that doesn't seem to
have a direction. If you cover Pink Floyd's classic from The Wall, and
name the album after it, you'd think there would be a point to it, but
it seems just to be a song she likes. And she doesn't do much with it,
it's not a number particularly suited to her voice, and she can't pull
off the gravitas of the original. She has a better time with Eddie
Vedder's Without You, and a Patty Griffin song called Silver Bell. The
latter one really lets her rock out, and I mean rock, with some searing
Harper slide. It seems the louder she goes here, the better it works.And so it goes, some good choices, some weak. An attempt at the alt-country sound of The Jayhawks' favourite, I'd Run Away only sounds good on paper. And surely somebody must have realized she was over-reaching by trying to sing Jeff Buckley's Lover You Should Have Come Over. Hearing her stretch for the notes and fail is painful, especially on such a long song. It's nice that she's her own person for this solo album, but she doesn't seem to have a good idea of who that singer is.
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