A sixth collection from the B.C. troubadour. Penner's dramatic sounds come partially from a different
time. The title cut feels like a prison holler, a desperate blues from a
condemned man. This Could Be You Anthem is a Harvest outtake, but
lonelier, no James Taylor and Linda Ronstadt easing the pain. No
Consequence, with its distorted vocals and trashcan percussion, is nasty
gospel tale: "You wanna ride with no consequence/may the good Lord
take you in self-defense." Memphis is folk-rap, a banjo tune with
hip-hop rhythm.
Created by Penner with just cohort Jon Wood and a spot of guest
brass, the two have a deft touch for taking basic folk instruments and
shifting the whole thing slightly out of focus. Ukeleles, banjo,
guitars, stomps and claps are done like they've played for a couple of
centuries, but then the trickery comes in, textures that take us out of
the present and into a less conscious place. Yes, it's just some sort
of plug-in effects, but the point is how well they do it.
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