There's also a horn section added to
several cuts, which helps set this album far apart from the normal blues
fare, dominated by so many guitar bands. Mayall's keyboard dominance
on the cuts is wall-to-wall refreshing as he moves through several
styles, from the solo stride of his own Crazy Lady to the classic 12-bar
of Don Robey's Mother In Law Blues. Mayall penned five of the 12 songs
here, and his choice of covers is impeccable. He steers clear of the
usual suspects, and prides himself in finding more obscure works from
Percy Mayfield, Lightnin' Hopkins and Lee Baker. Even his voice is
holding up pretty well. Eric who? Fleetwood what?
No comments:
Post a Comment